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Residents of a baby Southern boondocks are affected to accost their abetment in an African-American man’s annihilation in The Gift Theatre’s apple premiere of “Hang Man” by Stacy Amma Osei-Kuffour. Declared as both affecting and humorous, Osei-Kuffour’s ball examines American history, racism and sexism. Victory Gardens and “Hamilton” citizen administrator Jess McLeod helms the production, which inaugurates The Gift Theatre’s 17th season. Previews at 7:30 p.m. Friday and Saturday, March 2-3, and 2:30 p.m. Sunday, March 4, at 4802 N. Milwaukee Ave., Chicago. The appearance opens Thursday, March 8. $30-$40. (773) 283-7071 or thegifttheatre.org.

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Sideshow Theatre Company begins its 11th division with the Chicago-area premiere of “You for Me for You,” Mia Chung’s ball about North Korean sisters who are afar at the bound back they try to escape. Their attempts to accumulate are ashamed by bureaucracy, accent barriers and cultural incompatibility. Aesthetic accessory Elly Green directs the production, which appearance Helen Joo Lee and Jin Park as sisters Minhee and Junhee. Previews at 2:30 p.m. Sunday, March 4, and 8 p.m. Wednesday, March 7, at Victory Gardens Theater, 2433 N. Lincoln Ave., Chicago. The appearance opens Thursday, March 8. $20-$30. (773) 871-3000, victorygardens.org or sideshowtheatre.org.

Chicago-area built-in Mike Lebovitz, who aboriginal got action back he took absurdity classes at a bounded Jewish Community Center, account Zanies St. Charles this weekend. A adversary on the 2015 division of NBC’s “Last Banana Standing,” Lebovitz additionally contributed consistently to WBEZ’s account accepted events-inspired “The Paper Machete” featuring stand-up, improv, account ball and more. 8 p.m. Thursday and Friday, March 1-2, and 7:30 and 9:45 p.m. Saturday, March 3, at Pheasant Run Resort, 4051 E. Main St., St. Charles. 21-and-older show. $22, additional a two-item aliment or cooler minimum. (630) 524-0001 or zanies.com.

Christopher McMorris, from left, Watson Swift, Johnard Washington, RjW Mays and Byron Coolie brilliant in Broken Adenoids Theatre’s premiere of “Kingdom” by Michael Allen Harris. – Address of Spenser Davis and David Weiss

• Broken Adenoids Theatre launches its division with the apple premiere of “Kingdom” by citizen author Michael Allen Harris. Previews activate Friday, March 2, for this kitchen-sink ball about an African-American, LGBTQ ancestors active in Orlando, Florida. The play, directed by Kanome Jones, opens Monday, March 5, at The Den Theatre, 1331 N. Milwaukee Ave., Chicago. See brokennosetheatre.com.

• Previews activate Friday, March 2, at 1020 W. Bryn Mawr Ave., Chicago, for City Lit Theatre’s premiere of Paul Edwards’ adjustment of “The Account of Dorian Gray.” Edwards sets Oscar Wilde’s ball about a man who sells his body in barter for “unaging beauty” in 1970s New York City at the alpha of the AIDS and able cocaine epidemics. “Paul’s new adjustment sees Dorian as Patient Zero who shows none of the after-effects of either epidemic, they appearance up in the account instead,” said aesthetic administrator Terry McCabe in a able statement. Andrea J. Dymond directs the production, which opens March 11. See citylit.org.

• Circle Theatre examines abduction ability in its apple premiere of “The Condition of Femme,” Lauren Marie Powell’s ball based on interviews she conducted with survivors of assorted forms of animal abuse. Previews activate Friday, March 2, at Pride Arts Center 4147 N. Broadway, Chicago. The production, directed by Amanda Jane Long, opens March 7. See circletheatrechicago.org.

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• “I’m Falling in Love All the Time,” a abandoned appearance accounting and performed by Jack Schultz, premieres Friday, March 2, address of The Agency Amphitheater Collective. The adults-only appearance analytical love’s aerial and low points, runs at The Pendulum Space, 1803 W. Byron St., Chicago, through March 31. (773) 680-4596 or wearetheagency.org.

• Lookingglass Theatre aesthetic accessory Atra Asdou debuts her new abandoned sketch-comedy appearance “A Poodle in People Clothes” on Friday, March 2, at iO Chicago, 1501 N. Kingsbury St., Chicago. (312) 929-2401 or ioimprov.com.

• BoHo Theatre presents Michael Hollinger and Aaron Posner’s “Cyrano,” acclimatized from Edmond Rostand’s romantic, 17th-century charlatan “Cyrano de Bergerac” in a adjustment by Hollinger. Previews activate Saturday, March 3, at Amphitheater Wit, 1229 W. Belmont Ave., Chicago. Ensemble affiliate Steve O’Connell directs the ball about a soldier/poet with a ample adenoids whose adventurous intentions against the admirable Roxane are baffled by a adolescent handsome soldier. It opens March 10. (773) 975-8150 or bohotheatre.com.

• Greenhouse Amphitheater Center’s additional chargeless Abandoned Achievement Lab takes abode Saturday, March 3, at 2257 N. Lincoln Ave., Chicago. The lab is allotment of Greenhouse’s charge to allowance advance new abandoned performances. This weekend’s performances accommodate Erin Austin’s “Miss Major Cushman” in which an extra and bootless abutment spy tells her adventure and Nora Leahy’s “Squeaky!” in which ambitious presidential apache Lynette “Squeaky” Fromme performs a array appearance from her bastille cell. See greenhousetheater.org.

• The Annoyance Theatre revives its adults-only caricatural ball appearance “Burlesque is More” alpha Saturday, March 3, at 851 W. Belmont Ave., Chicago. The appearance combines neo-burlesque dancing with comedic monologues and improv. It runs through April 28. Comedians Mike DiBiccaro and Kate Learson host the Academy Awards sendup “The Javier Awards: An Oscar Award Winning Parody” at 5 p.m. Sunday, March 4. Red carpeting accoutrements encouraged and the admirers is arrive to stick about afterwards the appearance to watch the 90th Anniversary Academy Awards broadcast. Additionally at The Annoyance, Huggable Riot opens its new production, “Million Dollar Misery,” Wednesday, March 7. A mashup of the jukebox tuner “Million Dollar Quartet” and Stephen King’s “Misery,” the darkly banana “Million Dollar Misery” is about a bandage captivated bound by a deranged fan. (773) 697-9693 or theannoyance.com.

Jalen Gilbert plays the titular role in Aboriginal Floor Theater’s assembly of “Dontrell, Who Kissed the Sea” by Nathan Alan Davis. – Address of Sam Doyle

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• An 18-year-old called Dontrell Jones the Third ventures into the Atlantic Ocean to chase for an antecedent absent during the Middle Passage in Nathan Alan Davis’ “Dontrell, Who Kissed the Sea.” The ball is declared as a “modern-day hero’s quest” in which a man seeks accretion for accomplished injustice. Aboriginal Floor Amphitheater stages the Chicago-area premiere beneath administrator Chika Ike. Previews activate Sunday, March 4, at The Den Theatre, 1333 N. Milwaukee Ave., Chicago. The appearance opens March 7. See firstfloortheater.com.

• The LIVINGroom commences its 2018 abandoned achievement division at 7 p.m. Sunday, March 4, at the Colvin House, 5940 N. Sheridan Road, Chicago. Eight abandoned artists accomplish autobiographical pieces centered on the affair of new ancestry Sundays through March 25. See livingroomsolo.com.

• Remy Bumppo Theatre hosts its anniversary account dubbed Think Timeless, Think Timely alpha at apex Sunday, March 4, at The Abutment League Club of Chicago, 65 W. Jackson Blvd., Chicago. The blow includes cocktails, hors d’oeuvres, lunch, alive and bashful auctions and a performance. Tickets amount $100 and $200. See remybumppo.org.

• Porchlight Music Theatre alums Sharriese Hamilton and Lorenzo Rush Jr. (both of whom appeared in its assembly of “Ain’t Misbehavin'”) accumulate for “They’re Playing Our Song,” the abutting chapter in the theater’s “Porchlight Revisits” alternation showcasing infrequently produced musicals. Performances run Tuesday through Thursday, March 6-8, at The Ruth Page Center for the Arts, 1016 N. Dearborn St., Chicago. (773) 777-9884 or porchlightmusictheatre.org.

• Imprisoned in Iran for his homosexuality, Razi arrives at his sister’s Chicago doorstep and gain to alter the activity she and her American bedmate accept created in “Through the Elevated Line” by Novid Parsi. Silk Road Rising presents the play’s apple premiere beneath administrator Carin Silkaitis alpha previews Wednesday, March 7, at The Chicago Temple, 77 W. Washington St., Chicago. The appearance opens March 17. (312) 857-1234, ext. 201, or silkroadrising.org.

Tim Kough, left, and R.J. Cecott brilliant in Oil Lamp Theater’s assembly of “Mass Appeal” by Bill C. Davis. – Address of Oil Lamp Theater

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• Performances activate Thursday, March 8, for Oil Lamp Theatre’s awakening of the two-hander “Mass Appeal,” a comedic assay of acceptance and relationships by Bill C. Davis. Tim Kough plays Father Tim, a conceited archdiocese priest and R.J. Cecott plays Mark, the idealist, adolescent seminarian bent to claiming the cachet quo. The assembly runs through April 8 at 1723 Glenview Road, Glenview. (847) 834-0738 or oillamptheater.org.

• Three Crows Theatre concludes its division with Timberlake Wertenbaker’s “Our Country’s Good” about the inmates of a chastening antecedents in 1789 Australia who put on a ball beneath the administration of an agog additional abettor in the Royal Marines. Performances run Thursday, March 8, through March 25 at the Piven Theatre Workshop at the Noyes Cultural Arts Center, 927 Noyes St., Evanston. (312) 469-0274 or threecrowstheatre.com.

• Goodman Theatre has continued its Chicago-area premiere of “The Wolves,” Sarah DeLappe’s Pulitzer Prize finalist dramedy about the associates of a girls’ aerial academy soccer team. Performances run through March 18 at 170 N. Dearborn St., Chicago. (312) 443-3800 or goodmantheatre.org.

• The Chicago Abracadabra Lounge opened afresh at 5050 N. Clark St., Chicago. The new area showcases close-up abracadabra performed by Chicago-area headliners David Parr (“Penn & Teller: Fool Us”) architect of The Abracadabra Cabaret and The House Theatre of Chicago’s Dennis Watkins, amid others. See chicagomagiclounge.com.

• Performing arts acceptance in their chief year of aerial academy or who are academy undergraduates can administer for a 2018 scholarship from the Bernie G. Yvon Memorial Fund, founded to account the acclaimed Chicago-area actor-singer-dancer who died in a 2014 car blow on the way to a rehearsal. The scholarships, to be awarded in the spring, abetment acceptance advancing careers in the theater. Administer online at bernieyvon.com/application.

• The Greenhouse Amphitheater Center, 2257 N. Lincoln Ave., Chicago, seeks bounded amphitheater companies to accomplice on co-productions during the 2018-19 season. “Partnering with alfresco companies and artists underscores GTC’s amount mission of growing Chicago theater,” said controlling administrator William Spatz in a able statement. “During our alarmingly acclaimed, 16-show Abandoned Celebration! Alternation in 2016, we staged four acknowledged co-productions … We achievement to body on that activating by agreeable Chicago companies and artists to accompany their different aesthetic visions to the Greenhouse.” Company assembly can acquaintance Spatz at (312) 637-5323 or [email protected]

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• The National Endowment for the Arts awarded a $10,000 Art Works admission to Chicago Dramatists to abutment its citizen playwrights affairs and the Tutterow Fellowships, called for Russ Tutterow, the company’s late, longtime aesthetic administrator and best of Chicago writers.

• A apple premiere adjustment of a Saul Bellow novel, the 10th ball in August Wilson’s Pittsburgh Cycle and a multimedia estimation of Mary Shelley’s abhorrence account are on tap for Court Theater’s 2018-2019 season. Court’s 64th division commences on Aug. 30 with Wilson’s “Radio Golf,” about a absolute acreage developer angry mayoral hopeful whose efforts to animate his adjacency may amount him politically. That’s followed by the achievement aggregate Manual Cinema’s apple premiere adjustment of “Frankenstein” (Nov. 1-Dec. 2) featuring puppetry, music and accurate techniques. Vanessa Stalling directs “Photograph 51,” Anna Ziegler’s account of British chemist Rosalind Franklin whose analysis contributed to the analysis of the DNA bifold helix. It runs Jan. 17-Feb. 17, 2019. Seret Scot, a affiliate of the play’s aboriginal Broadway cast, helms Court’s awakening of “For Colored Girls Who Accept Considered Suicide Back the Rainbow is Enough” (March 14-April 14, 2019). A ball with music and dance, “For Colored Girls …” showcases the activity belief of seven women. Court’s division concludes with the apple premiere of “The Adventures of Augie March,” a David Auburn ball based on Saul Bellow’s atypical of the aforementioned name. The anecdotal account centers on the Depression Era-born Augie, an Everyman authoritative his way in an generally alienating world. It runs May 9-June 9, 2019. Performances booty abode at 5535 S. Ellis Ave., Chicago. Three-, four- and five-play subscriptions ambit from $96 to $300 and are accessible at the box office, (773) 753-4472 or courttheatre.org.

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